THE DEVILS INTERVAL….

“Music was my first love, and it will be my last,

Music of the future and music of the past. 

To live without my music, would be impossible to do

And in these times of trouble – my music pulls me through” – 

John Miles


The greater majority of music listened to worldwide has been tuned to 440 Hertz since the International Standards Organization (ISO) endorsed it in 1953. 

The fairly recent rediscoveries of the vibratory / oscillatory nature of the universe, have indicated that this international concert pitch standard, may generate an ‘unhealthy effect’, or create anti-social behavior in the consciousness of humans. 

A-432 Hz, also known as Verdi’s ‘A’ is an alternative tuning that is mathematically consistent with the universe. 

Music based on 432 Hz transmits beneficial healing energy, because it is a pure tone, is mathematically perfect and is essential to living in harmony with nature. 

Many people still believe that the change from 432 Hz to 440 Hz was discovered in Germany and dictated by Nazi propaganda minister, Joseph Goebbels, who was also alleged to have used it to make people think and feel in a certain way, and to make them a prisoner to particular consciousness and thought patterns.

But that is untrue, because, in reality, audio control of human emotions had been known about since 1913, where a number of experiments were carried out in the United States, which showed it was entirely possible, for music to provide a very effective form of crowd control, and also fulfilled a military objective – of course.

This may go some way towards explaining why this research was linked in timescale, subject matter, and Foundation funding, with the Rothschild-Rockefeller war investments in Germany, Great Britain, and the United States, and worked towards establishing the Western World’s standard musical tuning of A-440Hz.

By 1940, the United States introduced 440 Hz worldwide, and finally in 1953 it became the ISO 16-standard. 

So What is 440 Hz? 

440 Hz is an unnatural tuning frequency, purposely detached from the symmetry of sacred vibrations, and one that has in effect, declared war on the subconscious mind of humankind. 

In a paper entitled ‘Musical Cult Control’, Dr. Leonard Horowitz wrote: 

“The music industry features this imposed frequency that is ‘herding’ populations into greater aggression, psycho social agitation, and emotional distress predisposing people to physical illness.” 

On any given day, one only has to take a short walk down any street and look at the people around them.

What do you see? 

Children walking to school, adults on their way to work, a woman pushing her baby in a pram, a man walking his dog – and what do they all have in common? 

They are plugged into their mobile phones, their iPods or MP3 Players! 

The powers that be are successfully lowering the naturally attuned vibrations of nature, not only from the younger generation, but the rest of us as well. 

These destructive frequencies, subtly, and very effectively train the thought patterns towards disruption, disharmony and disunity. 

Additionally, they also stimulate the main controlling organ of the body – the brain – into disharmony, which ultimately creates not only disease, but aggression, disputes and unlimited leads to war.
“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.” –Nikola Tesla 

Few people realise how much real power there is in music – or sound.

Everybody has a favourite, or a memorable piece of music, and hearing it can instantly invoke vivid memories like no other medium can.

A number of scientists are convinced that “audio control of human emotions was possible for a large enough portion of an audience to provide effective crowd control – a line of research, that ultimately found irrelevant for understanding the artistic or cultural values of music”. . . . but obviously fulfilled a military objective.
This goes a long way towards explaining why this activity is linked in time, and subject matter, and Foundation funding, as well as the Rothschild-Rockefeller increasing war investments in Germany, Great Britain, and the United States, to establishing the Western World’s standard musical tuning of A-440Hz frequency.

The fact that A-440Hz standard tuning is relatively distressing, implicates these parties and their research into aversive musical frequencies for military and commercial uses. In 1913, the Rothschilds set up their third and current central bank in America, the Federal Reserve Bank, with the help of their agents JP Morgan and JD Rockefeller, whose investments in American industry had been Rothschild-financed since 1865.

Between World Wars I and II, accelerating during the 1930s, scientific studies in musical frequencies best suited for war-making, were funded by the Rothschild-Rockefeller alliance, and represented by the Rockefeller Foundation and the U.S. Navy.
The Rockefeller Foundation (RF) archives were examined, and it was discovered that documented investigations leading to psychological warfare applications of acoustic vibrations, ultimately advanced military and commercial enterprises.
Some of these documents make it abundantly clear, that bioenergetic research in acoustic science, and its implementation, had been used to produce ’emotional arousal’, ‘clinical depression’ and hopelessness and even “mass hysteria.”

During WWI, a number of US Navy (suppressed) patents owned by the major companies involved with radio manufacture in the US facilitated the British war effort.

All production of radio equipment at that time was allocated to the Air Force, the Army and Navy. 
The Navy sought to maintain a Rockefeller-administered military-government monopoly over the radio industry, which  featured ‘advances’ in wireless radio.
The incestuous commercial-military cartel that formed around this, included RCA, General Electric, United Fruit, Westinghouse Electric Corporation, and AT&T.
Devil music
This unholy alliance also laid the groundwork for a strict level of control over the energy industries, including human energy (bioenergy) and spirituality that overlaps electro-genetics, and played a prominent role in the eugenics and psychiatric genetics movements that were being advanced at that time by the same groups.The resulting developments included the National Broadcasting Company (NBC), and a government created monopoly in radio and television, with AT&T effectively controlling telephone communications in the United States.
According to the Rockefeller Foundation’s archives, the Rockefellers financed and helped organise the military and media monopoly over broadcasting, and through various forms of “education,” the programmable public’s minds.
It was noted at the time, that television competition between NBC and CBS was “secretive and fierce as production went into experimental phases”. 
In 1910, motivated by a grant provided by the Rockefeller Foundation for the American Federation of Musicians, the initial effort to institute A-440Hz standard tuning had achieved limited success in America.In Europe however, the initial effort had near zero impact. Additional promotions were needed to secure the music world’s acceptance of A-440Hz that was perceived as less pleasant, or dull when compared with other frequencies.

According to preliminary research and analysis, a 440Hz music frequence conflicts with human energy centres (Chakras), from the heart right down to the base of the spine.

Alternatively, the energy centres above the heart are stimulated.

Theoretically, the vibration stimulates ego and left-brain function, effectively suppressing the “heart-mind,” intuition and killing creative inspiration.

It is not coincidental that the interval between 440Hz (equivalent to F#=741Hz in the ancient original Solfeggio scale) and 444Hz – 528Hz in the ancient original Solfeggio scale) is classically known as the ‘Devil’s Interval’ in musicology, due to the highly aversive and disharmonious sound made when these two notes are played simultaneously.
More harmonious alternatives have clearly been suppressed.
As an example, during the past two decades, mainstream scientists have found that 444Hz – 528Hz sound analysis to be more ‘compatible with nature’.

……….

32 Comments

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  1. That’s why any music written after 1975 is shit mate

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  3. Well, I clicked on your link & got two recitals of electronic organ music – & I could tell the subtle difference – but I also got an ad inviting me to applaud some flabby overweight chicks weight loss. Suppose it all depends on where you’re posting from. And yes, I did download some youtube vids of this a long while back, but of course I no longer have the web addresses since I never know what you’re going to cover next. Which is why I’m almost ALWAYS posting off-topic. IIRC there was a conversion prog to turn 440 to 432. One of the conversions I downloaded – among others – was Enya’s “Orinoco Flow”. The difference was slight, but it was there.

    1. I have just re-checked the link and it appears that most of the links on that page are now returning a ‘404 File Not Found‘ Error, which has only recently happened OG.

      No matter, I have now changed the link to the original YouTube Source and added another (working) link.

    2. There is a pretty good post about conversion here (from someone who knows what he’s talking about):

      ACOUSTIC ENGINEERING

      As is pointed out (but missed by many of the deranged commentators) the test was specifically designed to replicate what others have done with YouTube-videos & the like (people who convince themselves of the ‘superiority’ of 432 over 440 off the back of the same techniques).

      As some point out, recording instruments tuned to 432 is not necessarily the same as listening to a recording made at 440 (but later ‘detuned’ to 432). However, most of the believers base their claims on such a de-tuning, as they are unlikely to have access to traditional instruments, know how to tune & play them, record them & make a scientific comparison, etc..

      It’s a fascinating theory, and as far as conspiracies go a pretty clever one, masking itself in psuedo-science before dragging in Hitler, Tibetan gongs (they are ‘eastern’, they must be superior, etc.), various evidence-less belief-systems and a load of other stuff that people pretend to be experts in when commentating…

      You may have guessed that I am NOT a believer!

      In fact, I vibrate in frustration whenever I see this one pop up – at an undisclosed frequency. (Whatever frequency it is it will be a completely natural one – just like 440Hz!)

      1. I appreciate what is once again an interesting and balanced comment from you Bandini, I will of course not stop trying to make a believer of you (on certain subjects, not all) 🙂

        1. I didn’t for one minute expect to ‘convert’ you, Jimmy!

          There’s loads of interesting stuff around the whole idea, and old instruments designed to be tuned to 432 (or any other frequency) may well sound better NOW if tuned accordingly.

          But if we think of a fretless instrument such as a violin, instruments which incredibly talented musicians sometimes devote their whole lives to mastering – practicing 12-hours a day from childhood – then we’d have to believe that despite having the blessed thing pressed against their neck & vibrating almost directly straight into their brain every single day, that they never hit that sweet spot & thought: “Wow!”

          Or the humble guitarist picks his axe up – it’s been left out of its case and has naturally detuned itself owing to fluctuations in temperature – and doesn’t notice that today he is playing with the angels.

          It’s all very improbable. Perhaps for the very, very few people who have ‘perfect pitch’ there might be some slight difference in tone, but given that not even the greatest musicians nor composers often have/had this ability it really becomes a question of personal belief rather than fact.

          I was looking yesterday & found the following video of someone playing Bach on that most natural of instrument: the glass harp.

          https://www.youtube.com/watch?v=XKRj-T4l-e8

          Given that the frequency of the notes produced is down to the level of the water in each glass, we can imagine him playing in a very hot room. If he started out with his glasses ‘tuned’ to 432Hz then with the gradual evaporation the tuning would creep up (er, I think: less volume=higher note?) to 440Hz and beyond.

          He’d start out in tune with the universe & end up raising the devil… or rather, he wouldn’t!

          (Given that almost all music is these days delivered to us via digital means, and given that almost all modern music – even live – is fed through countless digital pathways & compressed/processed to oblivion and beyond, a lot of these arguments are moot anyway. Best go and listen to ‘real’ music, on real instruments & unamplified/processed if possible – it’s magical at both 432 and 440!)

  4. Didn’t the Vatican change certain rests in music? Pentagram… Just you mentioned the devil’s interval. Everything is vibration, perhaps the human is an, “instrument ” we certainly get played a lot. I’m very aware of frequency, hey look up its in the sky.

    Don’t forget Shiva danced the world into existence so she/he must of been off its tits listening to some Banging tunes. SPRAY THE HERD. Cheers Outlaw.

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  6. (but missed by many of the deranged commentators)
    Thank you Bandini. I must say that I’ve never regarded myself as a deranged commentator, but I’m prepared to accept that from time to time I MIGHT just be a little off-centre.

    However, like Bashir Assad, I STAND BY MY POST! (AND BY GOD,WHAT A MAN – WHEN ALL HIS FELLOW ARAB LEADERS WERE FLEEING TO SOME WHERE ELSE, HE STOOD BY HIS POST – & HAS DONE FOR 4 BLOODY YEARS!!.

    1. I think Bandini may have been referring to the commentators on the article which he linked to with his comment OG.

      He will correct me if I am wrong I am sure.

      1. Indeed, I was referring to those commentators. Sorry, OldGit, no offence meant (although I’m not vouching for ANYONE’S sanity here – not even my own!).

        It was the way some of them smugly assured the writer of the article (highly qualified & totally honest about what his experiment consisted of) that he was not ‘spiritual’, that he didn’t ‘feel’ the music, that he was, in essence, inferior; as some more level-headed commentators pointed out, those who were claiming this ‘spiritual highground’ were generally rude, insulting & often just plain wrong.

        If believing in 432 leads people to behave this way then it’s not the greatest advertisement for vibrating in harmony with the universe.

        1. You know what Bandini? I tend to agree with you on the point that those who claim very loudly to be ‘attuned‘ and in pitch perfect harmony with nature and all things spiritual, also tend to be the most obnoxious, abrasive and insulting in their defence of all things ‘Peace and Love and Understanding’.

          They seethe with rage and lash out violently at those who dare to question or critically analyse their ‘beliefs’.

          Not great adverts by any means.

          1. Referring to Dogman there Outlaw? …Or should I say Mr Nelson Dogbiscuit.

          2. Would I do that? 😉

        2. I have now read the article & I see what you mean. The God-botherers get in everywhere, don’t they!.

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  12. Well I went to your newest post,bentered my password &…nothing. I was as careful as possible,vbut normally I cut’n paste in a password,nbut some sites won’t allow that. (I tried both ways here, but, each time, nothing).bI’ll keep posting links on here until an unprotected article comes up.

    1. I will email the password to you OG as I wish that article to be accessible only to selected people at the current time.

      I would appreciate it if it wasn’t Copied and distributed publicly for now.

      1. Absolutely no intention of copying or passing around. Or even downloading & saving it as a part of my download & preservation of all of your articles. It involves a subject that I’ve never (thankfully) experienced & thus prefer to not comment on under any circumstances.” Over & out”, so to speak.

          1. Would you allow me to see the post ? I will of course honor you wishes

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  16. Well written but not well researched. So many viable reasons for A440 were never mentioned. Pipe organ makers for example hated A432. Every single pipe over the entire organ would need to be larger to accommodate the lower pitch. Centuries old violins can sound lifeless at 432. Do we throw them out?

    Each human is an individual. We all have things that resonate with us in certain ways, and things that don’t. To arbitrarily say that 432 works and 440 does not, is shortsighted.

    1. Thank you for you knowledgable and interesting comment on the article Peter.

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